Selasa, 28 April 2015

## Free Ebook The Compassionate Brain: How Empathy Creates Intelligence, by Gerald Huther

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The Compassionate Brain: How Empathy Creates Intelligence, by Gerald Huther

Here
is the ultimate explanation of the brain for everyone who thinks: a guide to
how the brain works, how our brains came to operate the way they do, and, most
important, how to use your precious gray matter to its full capacity.

The
brain, according to current research, is not some kind of automatic machine
that works independently of its user. In fact, the circuitry of the brain
actually changes according to how one uses it. Our brains are continuously
developing new capacities and refinements—or losing them, depending upon how
we use them. Gerald Hüther takes us on a fascinating tour of the brain's
development—from one-celled organisms to worms, moles, apes, and on to us
humans—showing how we truly are what we think: our behavior directly affects
our brain capacity. And the behavior that promotes the fullest development of
the brain is behavior that balances emotion and intellect, dependence and
autonomy, openness and focus, and ultimately expresses itself in such virtues
as truthfulness, considerateness, sincerity, humility, and love.

Hüther's
user's-manual approach is humorous and engaging, with a minimum of technical
language, yet the book's message is profound: the fundamental nature of our
brains and nervous systems naturally leads to our continued growth in
intelligence and humanity.

  • Sales Rank: #1317390 in eBooks
  • Published on: 2013-02-19
  • Released on: 2013-02-19
  • Format: Kindle eBook

From Publishers Weekly
A kind of users manual for the human brain, neurobiologist Hüther's work explains in straightforward terms how the brain works, how our environment and behavior affect its development, and recommendations for the most effective ways to encourage our brains (and our children's) to operate at the highest possible levels. Beginning with the scientific basics of brain function, Hüther's discussion ranges from the history of European philosophy (especially Plato, Kant and Heidegger) to current trends encouraged by the mass media. Especially striking are the final sections of the book, which begin with a quote from seventeenth-century Jesuit writer Baltasar Gracian, whose theological investigations of human conduct reach the same conclusions as Hüther's laboratory research: humans must encourage all actions and mental habits that engender feelings of deep personal concern (empathy) and reject those that do not. Although the discussion avoids moralizing, Hüther's conclusions border at times on the apocalyptic, with visions of a human race trained by TV, advertising, video games and consumerism to content themselves with material comfort and overstimulation, to the point that they become nearly incapable of survival. Hüther is an engaging writer, however, and this concise, elegant work will appeal to a great many readers, from those interested in neuroscience and psychology to those interested in philosophy, religion, and history.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
“The Compassionate Brain presents readers with a ‘user’s-manual’ for the brain, an evolutionary overview of its development and role in human culture, and a heartfelt plea for its intelligent and merciful use.  This is the first of Hüther’s books to be translated into English.  Let’s hope this fascinating and provocative treatise is not his last.” —Body and Soul

Most helpful customer reviews

23 of 26 people found the following review helpful.
Misleading title and cover
By J. Jannusch
The title of the book would leave one to believe that it examines and demonstrates the position that compassion and empathy go hand in hand with intelligence. This point was perhaps mentioned once in passing (without support) while the rest of the book tried to describe the evolution of the brain and how certain traumas will inhibit its growth. The title also states that it is a guide to further develop the brain. However, most of the book contains no useful information except for the point that the brain can be further developed by doing new and different activities. This is about the extent of the 'guide'. I was quite disappointed overall and certainly didn't read anything revolutionary or even new.

8 of 8 people found the following review helpful.
Misleading Title?
By Hei Long
You probably could begin reading this book on page 132 if your interest is in self-development. Most of the book is somewhat tedious if you are not interested in neuro-science and brain development and function. But I must say that I am really suprised by the one star reviews. One unfavorable review says that "the title also states that it is a guide to further develop the brain". It does? Where? The title, however, would have been more correct if it had been "The Compassionate Brain: How Empathy Creates Humanity". Huther's main points, in my opinion, were to question your beliefs and opinions and never be so sure that you are "right" without shining the light of compassion and tolerance on them and to value other people and relationships over toys, gadgets and distractions. This, he feels, will lead to the development of your brain in the direction of being a human being. His directions were not so much along the lines of "sit quietly under the full moon, breath in through the right nostril and then out through the left while chanting this secret mantra" as much as more general advice like don't blame others for your problems, don't take advantage of others, don't refuse to admit your errors, etc. Basically, be the best person you can be. Maintain a high level of integrity and honor in your life and be compasionate. Maybe this is too vague or difficult for many. It certainly sets a high bar. One person commented to the effect that being a good person, preferably an environmentalist, will lead to better brain usage. That's funny. Because, in an attempt to be sarcastic, I think they nailed it. I don't know about better brain usage actually, but it sure sounds like a recipe for a better world.

Get the book from the library, read the last section and then do your best to be thoughtful as he suggests. I don't think you'll be wasting your time.

26 of 34 people found the following review helpful.
Dabbler's Delirium
By bronx book nerd
I was extremely disappointed by this book. The title and the write-up on the back cover held the promise of a how-to manual to use your brain to its fullest potential. The book reads like a superficial mish-mash of philosophy and neurology, with almost no back-up to its major claims and statements about human behavior or the development of societies. At times it sounds like a new age environmentalist screed, noting that poor use of the brain results in the misuse of natural resources. I was kept waiting until the final pages of the book for the magical how-to promised at the beginning. The secret formula for better brain use: be a better person, preferably an environmentalist. The only information of value is Huther's repeated assertion that your brain physiology will adapt to the way you continually use it, and will reinforce this routine way more and more. This has been said by other's before (see Edward De Bono, Mechanism of Mind).

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Senin, 27 April 2015

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Studienarbeit aus dem Jahr 2011 im Fachbereich BWL - Investition und Finanzierung, Note: 1,0, FOM Hochschule für Oekonomie & Management gemeinnützige GmbH, Frankfurt früher Fachhochschule, Sprache: Deutsch, Abstract: Eine Wertsicherungsstrategie soll den Investor vor Wertverlusten seines Portfolios unter einen vorher definierten Mindestportfoliowert („Floor“) bei fallenden Märkten schützen (downside protection) und gleichzeitig eine Beteiligung an steigenden Märkten ermöglichen (upside participation).
Ziel dieser Arbeit ist die Vorstellung der Wertsicherungsstrategie „Constant-Proportion-Portfolio-Insurance“ (CPPI). Beginnend in Kapitel 2 werden zwei Kategorien von existierenden Wertsicherungsstrategien vorgestellt, gefolgt von Kapitel 3 mit der Erläuterung der CPPI Strategie sowie der praktischen Anwendung an einem Beispiel.

  • Sales Rank: #3727881 in eBooks
  • Published on: 2012-01-31
  • Released on: 2012-01-31
  • Format: Kindle eBook

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Minggu, 26 April 2015

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Forschungsarbeit aus dem Jahr 2012 im Fachbereich Germanistik - Didaktik, Note: keine, University of Oran (Fremdsprachen), Sprache: Deutsch, Abstract: Abstract
Der vorliegende Beitrag beschäftigt sich generell mit der Förderung der Schreibfertigkeit an der Universität Oran. Hierbei gilt das Hauptaugenmerk der Untersuchung der Methode Schreibportfolio. Diese wird im Rahmen einer Schreibwerksatt am Beispiel von der Textsorte Personenbeschreibung durchgeführt und betrachtet. Es konnten positive Entwicklungen im Hinblick auf die Textproduktion durch diese Methode ausgemacht werden. Demnach lohnt es sich, das Schreibportfolio bei der Schreibförderung an einer Schreibwerkstatt zu etablieren und zu unterstützen.

  • Sales Rank: #3759305 in eBooks
  • Published on: 2012-02-23
  • Released on: 2012-02-23
  • Format: Kindle eBook

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Unterrichtsentwurf aus dem Jahr 2011 im Fachbereich Deutsch - Pädagogik, Didaktik, Sprachwissenschaft, Note: 1.0, , Sprache: Deutsch, Abstract: 2.1 Die Ballade
Das Geburtsjahr der Kunstballade ist das Jahr 1773, in dem Gottfried August Bürger ein Erzählgedicht mit dem Titel „Leonore“ veröffentlichte. Dieser wurde für viele Autoren seiner Zeit zum großen Vorbild. Balladen haben oftmals einen spektakulären Inhalt, der von einem außergewöhnlichen oder dramatischen Ereignis erzählt. Man unterscheidet unterschiedliche Formen: die naturmagische Ballade, die Heldenballade oder die Ideenballade. Balladendichter bedienen sich verschiedener Quellen wie zum Beispiel Sagen aus alter Zeit, der Geschichtsschreibung, Mythen und biblische Erzählungen oder auch aktuelle Ereignisse. Das Besondere an einer Ballade ist die Vereinigung der drei literarischen Gattungen. So enthält sie im Regelfall Elemente aus der Epik, der Lyrik und dem Drama.
„Die Ballade erzählt wie in epischen Texten eine zusammenhängende Geschichte über eine interessante Begebenheit. Ähnlich wie im Drama kommen dabei Figuren in direkter Rede zu Wort und vermitteln dem Hörer oder Leser den Eindruck, hautnah dabei zu sein. Wie ein Gedicht ist die Ballade in Verse und Strophen gefasst und enthält meistens auch Reime.“
Aufgrund der Dichte einer Ballade ist die Erzählform gerafft, somit setzt die Handlung ganz unvermittelt ein. Spannung wird schrittweise erzeugt, unwichtige Einzelheiten werden ausgespart. Oftmals kommt das Ende überraschend.

  • Sales Rank: #3945279 in eBooks
  • Published on: 2012-01-02
  • Released on: 2012-01-02
  • Format: Kindle eBook

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Doktorarbeit / Dissertation aus dem Jahr 1997 im Fachbereich Sprachwissenschaft / Sprachforschung (fachübergreifend), Note: summa cum laude, Otto-Friedrich-Universität Bamberg (Germanistik Sprachwissenschaft), Sprache: Deutsch, Abstract: “The times they are a changing” dichtete Bob Dylan in seinem berühmten Lied von 1964. Und die grammatischen Zeiten ändern sich auch, möchte man dem als Sprachwissenschaftler hinzufügen. Dylan benutzt in seiner Liedzeile eine grammatische Form, die man als Verlaufsform oder ‚progressive form‘ bezeichnet. Eine ähnliche Form existiert auch im Deutschen, gemeint ist die Konstruktion sein + am + Infinitiv, z.B. Ich bin gerade am Arbeiten.

Das vorliegende Buch befasst sich mit dieser deutschen Verlaufsform und untersucht anhand eines Vergleichs mit der historischen Entwicklung der englischen Form, in welchem Stadium der Grammatikalisierung sich die deutsche Form heute befindet. Ein Fragebogen zur Akzeptabilität einzelner Sätze, die die Verlaufsform realisieren, wurde entwickelt und an Studenten und Dozenten deutscher Universitäten verschickt. 588 Personen äußerten sich zu den grammatischen, semantischen und pragmatischen Restriktionen der Verlaufsform.

Es wird u.a. erläutert, welcher Unterschied zwischen Aspekt, Aspektualität, Aktionsarten und Aktionaliät besteht. Auch die Konkurrenzkonstruktionen wie im … begriffen sein, beim … sein, dabei sein, etwas zu tun kommen zu Wort. Eine detaillierte Analyse des deutschen Verbsystems zeigt dessen Lücken auf und ermöglicht eine Einordnung der Verlaufsform in das vorhandene System.

Das vorliegende Buch zur Verlaufsform von Ariane Slater ist eine leicht gekürzte und in der neuen Rechtschreibung verfasste Ausgabe der Dissertation aus dem Jahre 1997, die unter dem Geburtsnamen der Verfasserin, Ariane Reimann, erschienen war. Heute arbeitet die promovierte Sprachwissenschaftlerin beim Bundessprachenamt in Hürth. Ihre sprachwissenschaftlichen Schwerpunkte liegen in den Bereichen ‚kontrastive Grammatik‘ und Militärsprache.

  • Sales Rank: #3943188 in eBooks
  • Published on: 2012-02-21
  • Released on: 2012-02-21
  • Format: Kindle eBook

About the Author
Ariane Slater studierte Germanistik und Anglistik an der Universität Bamberg und promovierte bei Prof. Dr. Helmut Glück (Schwerpunkt Kontrastive Sprachwissenschaften). Von 1990 bis 1992 absolvierte sie ein zweites Studium in Comparative Literature an der University of South Carolina, U.S.A., das sie mit einem M.A. abschloss. Von 1993 bis 2000 unterrichtete und übersetzte sie in London, zunächst als Lektorin an der University of London, später freiberuflich als Übersetzerin und Dozentin für englische Sprachwissenschaften am Roehampton Institute London. Bis 2008 leitete sie die Sprachschule ‚Speak English' in Bamberg und befasste sich schwerpunktmäßig mit Sprache bei der Marine und beim Militär. 2008 wurde sie Reserveoffizier bei der Bundeswehr, nahm als Ausbilderin für Englisch und Dolmetschen an einem Auslandseinsatz der Bundeswehr teil und arbeitet seit 2009 beim Bundessprachenamt. 2014 wird ein umfassendes Buch zum Thema ‚Militärsprache' erscheinen.

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Focusing on an area of the savannah in northern Ghana and southwestern Burkina Faso, Land, Mobility, and Belonging in West Africa explores how rural populations have secured, contested, and negotiated access to land and how they have organized their communities despite being constantly on the move as farmers or migrant laborers. Carola Lentz seeks to understand how those who claim native status hold sway over others who are perceived to have come later. As conflicts over land, agriculture, and labor have multiplied in Africa, Lentz shows how politics and power play decisive roles in determining access to scarce resources and in changing notions of who belongs and who is a stranger.

  • Sales Rank: #2332371 in eBooks
  • Published on: 2013-07-05
  • Released on: 2013-07-05
  • Format: Kindle eBook

Review

"[An] impressive book... Land, Mobility, and Belonging in West Africa deserves a wide readership, as it does much to improve our understanding of how property and belonging is established and contested under spatially and organizationally fluid circumstances." ―Anthropological Quarterly



"[This] book makes a remarkable contribution to the growing literature on mobility in Africa. Its emphasis on both the social and spatial strategies of West African agriculturalists makes it a highly recommended read for scholars and policymakers dealing with migration, mobility, resource management, and land conflict resolution in West Africa." ―Journal of African History



"This book makes an important contribution to the scholarship on the transformation of African concepts of land tenure. It shows that history and memory are important resources in conflicts over property and belonging.... The book adds to the recent debates on customary tenure by exploring the precolonial history of property claims." ―Journal of West African History



"Lentz’s work is distinguished by the intensity of its focus. Not soon is anyone likely to cover her chosen topic and place more thoroughly." ―African Studies Review



"A short review cannot do justice to a magisterial historical and contemporary (through 2001) account of processes of change and continuity. Rich in narratives, readers will be grateful for the attention to comparison, nuance, and detail." ―American Anthropologist



"Important in the sense that it constitutes a detailed historical study of how complex narratives of belonging and notions of property interlock.... It is academic work of the first order." ―Christian Lund, Roskilde University



"This significant study enhances understanding of the dynamics of rural societies across the continent.... Highly recommended." ―Choice



"Careful research design and case justification, and probing of arguments with detailed empirical material, make Lentz’s arguments compelling for political scientists as well as the social and economic anthropologists and historians who make up much of the natural constituency for this impressive study." ―Journal of Modern African Studies



"[A] major contribution to the ethnography of the north of Ghana, an area seriously underserved in this regard... and to the ongoing national debate in Ghana about land ownership and the fiercely contested claims of autochthons and strangers." ―Africa



"Lentz’s work is Africanist ethnography and history at its finest and is a masterfully compiled piece of scholarship on issues of land rights, property regimes, and ethnicity in Africa. In wonderful ethnographic detail, the author presents a stimulating and historically rich treatment of ethnic group mobility and the ways in which different societies legitimate their land claims. This volume should
be considered essential reading to all scholars working on the interface between land and identity in Africa." ―Anthropos



"Illuminates the distinctive historical trajectory of land claims, authority, and belonging among the Dagara and Sisala peoples of the Black Volta region, and locates this specific case history within broader debates over transformation in access, use, and control over land in colonial and postcolonial Africa." ―Sara Berry, Johns Hopkins University

About the Author

Carola Lentz is Professor of Social Anthropology in the Department of Anthropology and African Studies at Johannes Gutenberg University.

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Narrow Road to the Interior (Shambhala Centaur Editions), by Matsuo Basho

Here is the most complete single-volume collection of the writings of one of the great luminaries of Asian literature. Basho (1644–1694)—who elevated the haiku to an art form of utter simplicity and intense spiritual beauty—is best known in the West as the author of Narrow Road to the Interior, a travel diary of linked prose and haiku that recounts his journey through the far northern provinces of Japan. This volume includes a masterful translation of this celebrated work along with three other less well-known but important works by Basho: Travelogue of Weather-Beaten Bones, The Knapsack Notebook, and Sarashina Travelogue. There is also a selection of over two hundred fifty of Basho's finest haiku. In addition, the translator has provided an introduction detailing Basho's life and work and an essay on the art of haiku.

  • Sales Rank: #77825 in eBooks
  • Published on: 2013-02-19
  • Released on: 2013-02-19
  • Format: Kindle eBook

Review
“Lucid and engaging, this translation, a gift of careful attention, does not separate poetry from spiritual practice. Basho becomes our guide on the way of insight. Such is the magic for a fine translation.”—Margaret Gibson, Tricycle

“Sam Hamill achieves a kind of luminosity of language that I find unparalleled in other translations.”—Burton Watson

Language Notes
Text: English (translation)
Original Language: Japanese

About the Author
Basho (1644–1694)—the most revered poet of Japanese literature—is best known in the West as the author of Narrow Road to the Interior , a travel diary of his journey through northern Japan. Basho elevated the haiku to an art form of utter simplicity and intense spiritual beauty. His travel diaries of linked prose and haiku created a new genre of writing that inspired generations of Japanese poets.

Most helpful customer reviews

163 of 174 people found the following review helpful.
nice of Hamill to try
By Phinaes
There is only one other book where you can find these four of Basho's "travel diaries" in one volume and that is Nobuyuki Yuasa's. This compilation also includes a generous selection of Basho's hokku. These are the book's pluses. Unfortunately though, Hamill is much too intent on presenting you with Basho as a sort of haiku-zen master, an identity that Basho himself created as a voice through which to narrate. Mr Hamill would have us believe that Basho wrote poetry for the sake of zen, but the truth is that Basho studied zen for the sake of poetry. Also, Hamill's insistence upon translating in the 5-7-5 form ruins quite a few poems: you get sort of overexplanatory, prosaic verses much of the time. It is almost as if he were translating the explanations you will find in Japanese collections of Basho's verse. For example:

Hamill translates "fuyu no hi ya bajou ni kooru kageboushi" as

Crossing long fields,
frozen in its saddle,
my shadow creeps by

though it should probably (more accurately) be rendered:

winter sun...
on horse's back
a frozen shadow

Hamill dropped the phrase "fuyu no hi ya" entirely and replaced it with "Crossing long fields." I don't know why Hamill rids Basho of suggestion and nuance. Maybe he doesn't think the western reader can find poetry in hokku/haiku as they truly are.

The verse quoted by another reviewer

Your song caresses
the depths of loneliness,
high mountain bird.

might as well not be considered a translation at all. There is almost nothing of the original poem remaining except for the notion of loneliness and the kankodori, which is translated as "high mountain bird." "uki ware o sabishi-garase yo kankodori" would be translated literally as

make this sorrowful self feel lonely, cuckoo!

sabishi-garase is the imperative form of the verb that means "to cause to feel lonely." As a translator one of the worst things you can do is to try to improve upon a poem, though, personally, I don't think Hamill's versions actually do. If you don't trust the poet you're translating, then why are you doing it at all?

At the moment I am in the middle of translating Basho's "Oi no Kobumi" ("Backpack Notes") into English, and when I get stuck on an obscure phrase it helps to consult other translations to see how that translator interpreted it, but oftentimes Hamill (Yuasa is guilty of this too) just glosses over a phrase, which in the end robs the text of any of the interesting quirks in Basho's prose. I wonder if Hamill hit the same tough spots as I and just decided to gloss rather than really try to understand it.

I do not mean to be overly critical of Hamill. It is obvious that he is a good writer and some of his translations are successful but I wonder how much he really considered his renderings. In the end we are reading Hamill, not Basho.

Unfortunately, there are not many alternative translations of Basho's other haibun, but there are plenty of his "Oku no Hosomichi." Hiroaki Sato's is probably the best, since it is very faithful and it gives the most background info (including linked-verse sequences written during the journey), but Cid Corman's is nice too because he does a pretty good job at reproducing Basho's prose style. Also, if you're looking for a good collection of Basho's hokku, check out Makoto Ueda's work. For a good critical study of Basho look at Haruo Shirane's Traces of Dreams. A good internet analysis of Oku no Hosomichi: [...]

67 of 76 people found the following review helpful.
Clouds of Cherry Blossoms
By Jisetsu
Narrow Road to the Interior and other writings
by Matsuo Basho
translated by Sam Hamill
This is the most complete collection of Basho's writings translated into English available in a single volume. Aficionados of Japanese culture keen on exploring the haiku literature would be hard-pressed to find a better book to start with.
Matsuo Basho (1644-1694) lived during the Genroku period in Japan. The Tokugawa shogunate had unified the country and it was a time of relative peace, which allowed those so inclined a freedom of travel not usual in many periods of Japanese history. Basho was so inclined. At the age of forty his restless feet led him on several walking tours of Japan, and he left behind collected impressions of these journeys in both prose and haiku.
Thoroughly versed in the Chinese and Japanese poetic traditions prevalent among the literati of his time, Basho was also an ardent disciple of Zen. He devoted his life to refining, clarifying, and simplifying his poetry. In the brief haiku form he found the perfect vehicle through which to realize his poetic ideals, and the poems he wrote have inspired and captivated readers and poets throughout the world with their elegance, insight, and simple brilliance.
This volume collects together four travelogues (Narrow Road to the Interior, Travelogue of Weather-Beaten Bones, The Knapsack Notebook, and Sarashina Travelogue) and over 250 of Basho's haiku. The translator has provided an introductory essay and an afterward revealing many aspects of Basho's life, work, and the haiku form itself. Also included are a chronology of Basho's life, a map detailing his journeys, and a bibliography.
Sam Hamill's translation is marvelously clear and uncluttered, and allows the glow of Basho's awareness to somehow peek through the words in his poems. The book itself is a Shambala edition, and so quite beautiful: printed on high-quality paper in a gorgeous typeface with lovely endpapers. This book is a gem.
Your song caresses
the depths of loneliness,
high mountain bird.

13 of 14 people found the following review helpful.
A trip to the past
By Eddie Merkel
I am not a scholar or a critic, I am just a person who really enjoys haiku and as such am familiar with Basho's poetry. I bought this book because it was cited in so many other books that I have read that I just had to read it for myself. I am very glad I did.

A good portion, but not all, of the haiku contained in this book you have read countless times before, though they are translated slightly differently here. To me the real value of this book is that the poems are put in context of Basho's larger world by the prose that surrounds them. Basho's haibun tells of his various journeys around Japan, the people he meets, the sites he sees and how this all affects him.

I love history as much as haiku, and this book is a real window on the past through the eyes of a man who could relate his world in a way that is both clear and yet filled with beautiful imagery, so that 17th century Japan comes alive for you.

If you like haiku and are interested in what goes into a great poet's creative process, I feel you will enjoy this book, I know I did.

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  • Sales Rank: #3945119 in eBooks
  • Published on: 2011-11-09
  • Released on: 2011-11-09
  • Format: Kindle eBook

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  • Sales Rank: #3835897 in eBooks
  • Published on: 2012-01-11
  • Released on: 2012-01-11
  • Format: Kindle eBook

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  • Sales Rank: #3396843 in eBooks
  • Published on: 2012-12-13
  • Released on: 2012-12-13
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About the Author

Andrew Lang (March, 31, 1844 July 20, 1912) was a Scottish writer and literary critic who is best known as a collector of folk and fairy tales. Lang s academic interests extended beyond the literary and he was a noted contributor to the fields of anthropology, folklore, psychical research, history, and classic scholarship, as well as the inspiration for the University of St. Andrew s Andrew Lang Lectures. A prolific author, Lang published more than 100 works during his career, including twelve fairy books, in which he compiled folk and fairy tales from around the world. Lang s Lilac Fairy and Red Fairy books are credited with influencing J. R. R. Tolkien, who commented on the importance of fairy stories in the modern world in his 1939 Andrew Lang Lecture On Fairy-Stories.

Most helpful customer reviews

34 of 35 people found the following review helpful.
Another Great Reader for Parents and Grandparents
By B. Marold
In the late 19th century, historian, scholar, and anthropologist, Andrew Lang, began publishing collections of fairy tales from around the world. The first volume was `The Blue Fairy Book' published in 1887. Lang was not a true ethnologist, like the German Brothers Grimm. He was far more the `translator' than collector of tales from the source, stories transcribed from being told by people to whom the tales were passed down by word of mouth. In fact, many stories in his first volume, such as Rumpelstiltskin; Snow White; Sleeping Beauty; Cinderella; and Hansel and Gretel were translated from Grimm's books of fairy tales. Some of his `fairy tales' were even `copied from relatively recent fantasy fiction, such as A Voyage to Lilliput, the first of the four episodes in Jonathan Swift's Gulliver's Travels.
My inspiration for commenting Lang's series of fairy tale books is for the sheer quantity of tales, the wonderful woodcut illustrations, some few of which may have become almost as popular as the tales (although not quite in the same league as Sir John Tenniel's illustrations for Lewis Carroll's great fantasies), and the fact that I had these when I was young.
With twelve of these books, with between 30 and 36 stories in each book, this gives one about 400 different stories. If I were to recommend anything as standard equipment at a grandparents' house, it would be a complete set of these books.
Needless to say, there are a few `warnings' to accompany books assembled over 100 years ago. You will encounter a fair number of words with which even an adult may be unfamiliar, let alone a five year old. For example, on the second page of The Princess Mayblossom in The Red Fairy Book, a character puts sulfur in a witch's porridge. This requires at least three explanations. What is sulfur, what is porridge, and why is sulfur in porridge such a bad thing. More difficult still is when a prince entered the town on a white horse which `pranced and caracoled to the sound of the trumpets'. In 19th century London, caracoling (making half turns to the right and the left) was probably as common and as well known as `stepping on the gas' is today. But, if you're a grandparent, that's half the fun, explaining new words and ideas to the young-uns.
There is another `danger' which may require just a bit more explanation, although in today's world of crime dramas on TV, I'm not sure that most kids are already totally immune to being shocked by death and dead bodies. In these stories, lots of people and creatures get killed in very unpleasant ways, and lots of very good people and creatures suffer in very unpleasant ways. It's ironic that the critics in Lang's own time felt the stories were 'unreality, brutality, and escapism to be harmful for young readers, while holding that such stories were beneath the serious consideration of those of mature age'. The success of a whole library of Walt Disney feature length cartoons based on these stories is a testament to how well they work with children. But do be warned, Uncle Walt did clean things up a bit. Lang's versions hold back on very little that was ugly and unpleasant in some of these stories.
The down side to the great quantity of stories is that even when some come from very different parts of the world, there is a remarkable amount of overlap in theme, plot, and characters. But by the time you get to another story of a beautiful young girl mistreated by a stepmother, it will have been several month since you read Cinderella or the Little Glass Slipper in The Blue Fairy Book. The other side of the coin is that you can play the game of trying to recall what that other story was with a similar theme.
There is one very big word of caution about buying these books through Amazon or a similar on line outlet. I stopped counting when I got to twelve different editions of The Blue Fairy Book, or a volume including several of these books. Not all of these editions have the original woodcuts and even worse, not all have a table of contents and introduction. The one publisher which has all twelve volumes is by Dover. Other publishers, such as Flying Chipmunk Publishing (yes, that's it's name) also have all the original illustrations, table of contents, and introduction, but I'm not certain that publisher has all twelve volumes. Dover most certainly does, as I just bought all twelve of them from Amazon.
While I suspect these stories may have been `old hat' for quite some time, it may be that with the popularity of Lord of the Rings, the Narnia stories, and the Harry Potter stories, all of which have their share of suffering and death, that these may be in for a revival. Again, the main attraction is that for relatively little money and space, Grammy and Grandad get a great resource for bonding with children.

34 of 37 people found the following review helpful.
One of my favorite Lang Fairy Books
By Heidi Anne Heiner
For some reason, this is one of my favorites of the Colored Fairy Books edited by Andrew Lang. Once again, Lang includes tales from many cultures including The Boys with the Golden Stars, The Envious Neighbor, The Fairy of the Dawn, The Finest Liar in the World, The Story of a Gazelle, The Girl Who Pretended To Be a Boy, The Grateful Prince and many others. I am also a fan of H. J. Ford's illustrations. Be sure to admire them and wonder at the power of black and white. END

11 of 11 people found the following review helpful.
One of Lang's best collections
By Emily J. Morris
While I love all of Andrew Lang's collections, I think this has to be one of my favorites. This is a collection that pretty much goes out of its way to collect every strange, exotic, and unknown tale on the face of the planet. Far from the simplicity of other tales, these are complex and detailed. Which probably means they were not passed down quite as much, but are wondrous and inspiring just the same

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