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The Italian Cantata in Vienna: Entertainment in the Age of Absolutism (Publications of the Early Music Institute), by Lawrence Bennett
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Lawrence Bennett provides a comprehensive study of the rich repertoire of accompanied vocal chamber music that entertained the imperial family in Vienna and their guests throughout the 17th and early 18th centuries. The cantata became a form of elite entertainment composed to amuse listeners during banquets or pay homage to members of the royal family during special occasions. Concentrating on Baroque cantatas composed in the Habsburg court, Bennett draws extensively on primary source material to explore the stylistic changes that occurred within the genre in the generations before Haydn and Mozart.
- Published on: 2013-10-18
- Released on: 2013-10-18
- Format: Kindle eBook
Review
"Lawrence Bennett is the best possible scholar to explore the breadth and depth of the Italian Cantata in Vienna before Charles VI began his reign in 1711. He is a professor, choral director, and professional tenor who has studied Viennese cantatas for half a century, and can now date them stylistically and evaluate the worth of each one within its style group." ―Lowell Lindgren, Massachusetts Institute of Technology
"This book contains a wealth of new information. It comes from a scholar who writes clearly and perceptively, and who has devoted decades of attention to the material." ―Steven Saunders, Charles A. Dana Professor of Music, Colby College
"[T]his book is to be recommended as shedding light on an important yet seldom-discussed repertory, written by someone whose expertise is unquestionable." ―Music and Letters
"The book is of great use in providing a panorama of vocal chamber music during the age of Leopold I and Joseph I, identifying the characteristics of their patronage, and giving an important overview of musical entertainments at the imperial court.... With this book, Professor Bennett provides scholars with an important tool for understanding the context in which cantatas were composed and performed, and in which the Hapsburgs’ important music collection... was created." ―Notes
"By taking multiple analytical approaches, Bennett establishes an overall understanding while also demonstrating how individual composers approached the genre.... Recommended." ―Choice
"This is an important book. It deserves to be warmly welcomed not only by scholars but also by performers of Baroque vocal chamber music, who will find many interesting avenues to explore." ―Early Music
About the Author
Lawrence Bennett is Professor Emeritus of Music and former Chair of the Music Department at Wabash College. He founded the Western Wind, a vocal ensemble that has toured professionally throughout North America, Europe, and Asia.
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