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Material culture in Eastern Europe under state socialism is remembered as uniformly gray, shabby, and monotonous—the worst of postwar modernist architecture and design. Politics in Color and Concrete revisits this history by exploring domestic space in Hungary from the 1950s through the 1990s and reconstructs the multi-textured and politicized aesthetics of daily life through the objects, spaces, and colors that made up this lived environment. Krisztina Féherváry shows that contemporary standards of living and ideas about normalcy have roots in late socialist consumer culture and are not merely products of postsocialist transitions or neoliberalism. This engaging study decenters conventional perspectives on consumer capitalism, home ownership, and citizenship in the new Europe.
- Sales Rank: #1638914 in eBooks
- Published on: 2013-09-16
- Released on: 2013-09-16
- Format: Kindle eBook
Review
"[A]n absorbing account of everyday life and embodied aesthetics in socialist and post-socialist Eastern Europe. In it we learn how collections of things and people, structured in relation to each other by deeply-rooted historical forms of class consciousness, served the self-fashioning aims of Hungarians from 1950 to the late 1990s. This cultural history of style and consumption reveals much that is occluded in other studies of socialism and post-socialism: bodies, materialities, spaces, habitual orientations, commodity desires, lived historical dispositions, and diverse, sometimes clashing temporalities. Politics in Color and Concrete explains why the everyday is important, and shows why domestic aesthetics embody a crucially significant politics." ―Judith Farquhar, University of Chicago
"There is much to admire about this book... I appreciated Fehervary’s critical insights into topics as diverse as gendered personhood, folklorization, and Janos Kornai’s economic models." ―Slavic Review
"After 1989, we often heard that consumption failures caused communism’s collapse; Fehérváry’s brilliant analysis explains why this is both right and wrong.Instead of the stereotypical socialism of long queues and shoddy goods, she presents a Hungarian Communist Party that actively created demanding consumers, who insisted that it meet its own standards.This is a major reinterpretation of Soviet-style socialism and an innovative model for analyzing consumption." ―Katherine Verdery, The Graduate Center, City University of New York
"Politics in Color and Concrete is an eloquent analysis of the material transformations of domestic space during the four decades of socialism and the following political-economic transformation in Hungary.... Fehérváry's approach not only brings a fresh look at the period through its focus on everyday materialities but also offers a welcome correction to the often-simplified understandings of abrupt socialist–capitalist change." ―American Anthropologist
"Politics in Color and Concrete is one of the best ethnographies of artificial things―and Hungary, Eastern Europe, post-socialism, and materiality―currently available." ―American Ethnologist
"Fehérváry’s exemplary scholarship, both historical and ethnographic, takes us through both socialist modernism and post-socialist consumer modernism in the development of contemporary Hungary." ―Daniel Miller, MaterialWorldblog.com
"The topic is extremely timely and relevant; the writing is lucid and thorough; the theory is complex and sophisticated without being overly dense, or daunting. I thoroughly enjoyed reading it." ―Brad Weiss, College of William and Mary
"Politics in Color and Concrete is mandatory reading for all scholars of Communism in Eastern Europe." ―Austrian History yearbook
"Politics in Color and Concrete is a model for richly historical ethnography and an important contribution to the second generation of scholarship on post-socialist Europe.... [It]will be of great interest to scholars of socialism and post-socialism, class, consumer culture, and aesthetics alike." ―Council for European Studies
"[A] serious historical analysis inflected throughout by a sophisticated ethnographic sensibility.... [and] an important contribution to the second generation of scholarship on post-socialist Europe." ―Reviews and Critical Commentary
"Fehérváry's book... joins a growing body of recent studies of consumption and everyday materialities under socialism. Few, however, so creatively explore socialist consumption's aesthetic and affective dimensions or trace continuities in consumer subjectivities across the pre-/post-1989 divide." ―American Historical Review
About the Author
Krisztina Fehérváry is Associate Professor of Anthropology at the University of Michigan.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Mental Causes and Material Consequences: Illuminating Modern Hungarian History Through the Window of Housing
By David Arthur Jan Reynolds
This is an absorbing and fascinating study. Using the microcosm of housing (from architecture and city planning to interior decoration and home improvement), Fehérváry illuminates shifts in Hungarian culture, society, and identity through the evolving Communist years and the post-Communist transition.
Early on, Fehérváry describes the struggle in newly Communist Hungary between those who viewed housing policy as part of the super-structural evidence of a new socialist society and those who regarded it as a societal basis that would help produce it. What is clear in Fehérváry's ensuing account is that this area of the country's life was continually both cause and consequence. Equally clear is that the consequences of housing policy on every level were rarely, if ever, congruent with the intentions and ideas of the decision-makers.
The more housing became a laboratory and a flagship for the state's aspirations for abstract collectivism, the more the people insisted on their part of it as a last sphere of privacy and individuality. The more the state denigrated the rural and lionized urbanity, the more Hungarians yearned for the former and tired of the latter. The more the state sought to raise the demands of citizens for consumptive modernity, the greater grew its inability to meet that demand. Instead of being a demonstration of Communism's achievements, housing became a mental canvas on which Hungarians understood their expectations, dreams, frustrations, and aspirations. At the same time, a supposedly modernist housing stock quickly became an all too material and lived indictment of a state that broke its promises and appeared inattentive to the reality, let the alone the dignity, of its citizens' lives.
This book is no ideological hit job and it is also detailed in describing the ongoing disparities between desire and reality and the forms this disparity takes when she gets to the unsettling post-Communist era. These disparities contained elements of pre-Communist bourgeois values, Communist-era expectations, and post-Communist imperatives. While the book is also not a flight of ethnic romanticism, it is hard to read it without admiration for the consistent insistence of the Hungarian to make a home out of the often meager lot their time and government had allotted them. Whether modernizing or adorning a small two-room flat or personally building a rural home over many years, the Hungarian people were active participants in turning the material present into a transcendent act of resistance against it.
While the book does threaten to be weighed down by anthropological jargon at the beginning, this threat happily remains unrealized. It is clearly academic, but its breadth of vision and the clarity of its arguments and conclusions take the reader on an engaging path through the last fifty years. This work bares witness to careful and wide-ranging research coming to fruition through perceptive insight and penetrating synthesis. It's an absolute must for those interested in modern Hungarian, Central European, and former Soviet-bloc history.
0 of 0 people found the following review helpful.
Honorable Mention 2016 Laura Shannon Prize in Contemporary European Studies
By Monica Caro
This book received an honorable mention for the 2016 Laura Shannon Prize in Contemporary European Studies. The jury commended Fehervary's work "as an unusually imaginative study of life in a bleak Hungarian monotown. The book depicts the population’s attempt to express an emerging middle-class identity during the communist years. The jury praised the book as both a contribution to the phenomenology of aesthetic deprivation and a fascinating essay in the history and sociology of modernist vernacular architecture." The members of the final jury were:
• Karl Ameriks, McMahon-Hank Professor of Philosophy, University of Notre Dame;
• John Hare, Noah Porter Professor of Philosophical Theology, Yale Divinity School;
• Anne Lake Prescott, Helen Goodhart Altschul Professor of English Emerita, Barnard College, Columbia University;
• Ingrid Rowland, Professor of Architecture, University of Notre Dame; and
• Roger Scruton, fellow at the Ethics and Public Policy Center in Washington, D.C.
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