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Often disguised in public discourse by terms like "gay," "homoerotic," "homosocial," or "queer," bisexuality is strangely absent from queer studies and virtually untreated in film and media criticism. Maria San Filippo aims to explore the central role bisexuality plays in contemporary screen culture, establishing its importance in representation, marketing, and spectatorship. By examining a variety of media genres including art cinema, sexploitation cinema and vampire films, "bromances," and series television, San Filippo discovers "missed moments" where bisexual readings of these texts reveal a more malleable notion of subjectivity and eroticism. San Filippo's work moves beyond the subject of heteronormativity and responds to "compulsory monosexuality," where it's not necessarily a couple's gender that is at issue, but rather that an individual chooses one or the other. The B Word transcends dominant relational formation (gay, straight, or otherwise) and brings a discursive voice to the field of queer and film studies.
- Sales Rank: #1407431 in eBooks
- Published on: 2013-04-12
- Released on: 2013-04-12
- Format: Kindle eBook
Review
"San Filippo is well-read in feminist and queer theory, and the book is sprinkled with ideas from those fields, which makes this most suitable for graduate-level reading. It can, however, serve as undergraduate coursework for students with a solid background in those subjects.... Highly recommended." ―Choice
"Maria San Filippo turns her razor-sharp intellect on the representation of bisexuality in modern media, where it still remains somewhat unspoken, often overshadowed by the hard-won visibility of gays and lesbians. Placing bisexual desire center stage, San Filippo’s book is a much-needed addition to the field of queer media studies." ―Next Magazine
"Charting representations of bisexuality--ever present, hardly discussed--in films from Pandora’s Box to Persona to Brokeback Mountain and television’s True Blood, Maria San Filippo proves that there is plenty of room left in that celluloid closet. Her knowledge is comprehensive; her writing is astute and witty (she points out that Brokeback Mountain is not about gay cowboys, but bisexual shepherds), and her love of film comes through on every page. The B Word is essentially for film scholars, everyone interested in queer studies, and anyone who just likes movies." ―Michael Bronski, author of A Queer History of the United States
"Maria San Filippo argues convincingly that bisexuality should not be entirely subsumed under the heading of queer studies, but deserves to be as legitimate an object of scholarly attention as gay and lesbian studies. Her argument is provocative and thoughtful." ―Tania Modleski, author of Loving with a Vengeance: Mass Produced Fantasies for Women
"This captivating new study by Maria San Filippo raises numerous persuasive questions about the perspectives that our culture has of bisexuality while it explores the ongoing and, typically, problematic efforts to portray it on screen." ―Cinema Journal
"For anyone interested in the politics of bisexuality, The B Word should be on your reading list." ―Journal of Bisexuality
"...[O]ne of the most compelling and thoughtful academic reads from the first half of 2013." ―Slant Magazine
"...[A] comprehensive, no-holds-barred examination of the portrayal and impact of bisexuality in modern entertainment...Power, privilege, exploitation, the dominance of monosexuality―no permutation goes unexplored, no bisexual presence goes unmentioned...It's a passionate, knowledgeable, educational study, drawing from old and new sources alike." ―Publishers Weekly
"[San Filippo's] study is full of fresh insights about a mostly neglected subject, and she makes good use of a wealth of cultural material." ―Gay & Lesbian Review
About the Author
Maria San Filippo has taught film and television studies, and gender and sexuality studies, at MIT, Harvard University, UCLA, and Wellesley College. Her work has appeared in the journals CineAction, Cineaste, English Language Notes, Film History, In Media Res, Journal of Bisexuality, Quarterly Review of Film and Video, and Senses of Cinema and the anthologies Global Art Cinema and Millennial Masculinity: Men in Contemporary American Cinema.
Most helpful customer reviews
4 of 4 people found the following review helpful.
A Long-Needed Addition to the Discussion of Sexuality in Film and TV
By Chris Stoner
This excellent academic study is just what film studies needed: a consideration of bisexuality in film that takes into account not just those fairly rare instances where characters name and claim bisexuality as an identity but also all of the narratives that include characters who behave bisexually or whose non-normative sexuality provides an identificatory space for those who wish to "read" bisexuality in film and television representations. Too often, characters who behave bisexually in film or tv but do not claim this identity are dismissed as "failed" gay or lesbian characters, foreclosing on the rich possibilities that bisexuality and/or non-monosexuality offer. It is important to keep in mind that one's behavior does not automatically determine how they will choose to define themselves and vice versa. Allowing for the interpretive possibility of bisexuality and non-monosexuality opens up a wealth of possible representations that challenge the Hollywood status quo about gendered object choice.
Some of the sections can be a little hard to follow if you haven't seen the film's being discussed; there are times when the author's plot summary is a little lacking. Other than that, however, I found this to be an excellent academic exploration of bisexuality and non-monosexuality perfect for film studies or gender studies classes as a way to expand the consideration of sexual orientation and behavior beyond just heterosexual and homosexual constructions.
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